His influence is most evident in the works of 17th century Dutch Italianate painters, and his pictures anticipated every watershed in landscape painting of the 18th and 19th centuries, from the poetic naturalism of John Constable to Claude Monet's exquisite analysis of sunlight, color and atmosphere. Previously, landscape as such wasn’t considered a subject worthy of painting. under no.11, Michael Kitson and Marcel Röthlisberger, The Burlington Magazine, 'Claude Lorrain and the Liber Veritatis', pg.23, London, Jan 1959, 23. note 39 as 'possibly autograph', Maria Teresa Penta, Bollettino d'arte [vol. (100.33 x 132.08 cm) (canvas). Renée Free, AGNSW Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. Pastoral Landscape Claude Lorrain 1638. Claude's wider influence on subsequent landscape traditions in Europe is inestimable. His sale, Christie's London, 9 and 11 June 1860, 2nd day, lot no.136, purchased by Cockburn, 300gn. Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. This work is the best example from his brilliant, pivotal years between 1635 and 1640. 23 Nov 1682. Agnew's, London, Catalogue of the collection of pictures and drawings of the late Mr George Salting, London, 1910, 11. cat.no.207, Claude - 'River scene with cattle'. 27.9 x 34.7 cm panel; 43.1 x 50.0 x 6.0 cm frame, Claude Lorrain 74. His compositions from that time express an awareness of light and its effects gained from his direct experience with nature. Claude Gellée, called Le Lorrain, was apprenticed to a pastry chef in his native France, but in 1628 he moved to Rome and studied painting. no.61, Marcel Roethlisberger and Doretta Cecchi, L'opera completa di Claude Lorrain, Milan, 1975, 92. no. Claude Gellée, called Le Lorrain, was apprenticed to a pastry chef in his native France, but in 1628 he moved to Rome and studied painting. no. Claude Gellée, called Claude Lorrain, was born near Nancy about 1604. Explore connections. Even the Institute's magnificent pre-Cubist Piperboy of 1911 by André Derain could be described, with little exaggeration, as an homage to Claude's pastoral inventions.Pastoral Landscape is a virtuoso performance by an artist at the height of his youthful promise. He was especially influenced by the northern landscape painters active in Rome, such as Paul Bril. Claude Gellée was born in Lorrain, but spent most of a productive life in his beloved Italy, especially Rome and its pastoral environs exemplified in the Campagna. 78], 'Tobiolo e l'angelo: una proposta per Claude Lorrain', pg.39-48, Rome, 1993, 40, 46. note 11, Marcel Roethlisberger, Claude Lorrain: the drawings, San Francisco, 1968, 116. under 126, Marcel Roethlisberger and Doretta Cecchi, Tout l'oeuvre peint de Claude Lorrain, Paris, 1986, 91, (illus.). Purchased by James Fairfax from Agnew's 1973. 'Pastoral landscape', with its lakeside setting, predicts the great seaport subjects of his maturity - works that profoundly influenced the romantic Turner. ), 55-56, 57 (colour illus.). Let us know. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Sold to James Fairfax 1973. Click here to see the machine readable JSON data that underpins this page. 11, illustration on page 57 is a detail, Edmund Capon, Great philanthropists on trial : the art of the bequest, 'The James Fairfax collection', pg.126-135, Melbourne, 2006, 129 (colour illus.). 74. (97.16 x 130.18 cm) (sight), 39 1/2 x 52 in. View in Augmented Reality. Pastoral Landscape dates from Claude's first mature period and is generally considered the finest extant painting of his brilliant and seminal years between 1635 and 1640. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Cockburn, post 11 Jun 1860, Purchased at Christie's London, 11 June 1860, lot no. ), 67. 108-172, Sydney, 1994, 118 (colour illus.). James Oswald Fairfax AC, 1973-09 Jul 1992, Bowral/New South Wales/Australia, Gift of James Fairfax 1992. Click 'Save detail' and wait until the image updates. Known as the 'Diamond Claude' by virtue of its faceted format, this exquisite painting on copper is one of a clutch of such works executed by the celebrated classicist. LV11, plate 44, Royal Academy of Arts, Exhibition of works by old masters, London, Winter 1882, 47. cat.no.226, Editor Unknown (Editor), Gazette des Beaux-Arts, 'Chronique des Arts' suppliment, Unknown, Mar 1993, 30 (illus.). Right click the image to 'save image as' or copy link, or click the image to open in a new tab. 1639 Claude Lorrain (Claude Gellée) French. This work is the best example from his brilliant, pivotal years between 1635 and 1640. Behind his Arcadian landscapes lay a reliance on forms and relationships found in nature, especially the varied effects of natural light which are his hallmark. It is also the Institute's most important old master acquisition in many decades.Claude was the supreme master of the ideal landscape and the founder of the modern landscape tradition. 136, 300gn. Zoom in on the left to the detail you'd like to save. - If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org. 63, Marcel Roethlisberger, Claude Lorrain: the paintings, London, 1961, vol. The inscription on the back of this drawing states that the painting was executed in Rome for a client in Paris. The painting has been identified with one of the drawings in the Liber Veritatis. ), 6, 11. cat.no.1, Art Gallery of New South Wales, The James Fairfax collection of old masters, Sydney, 1992. no catalogue numbers, Art Gallery of New South Wales, Great gifts, great patrons: an exhibition celebrating private patronage of the Gallery, Sydney, 1994. no catalogue numbers. View in Street View. 1, 117-118; vol. Initially inspired by northern artists active in that city, Elsheimer and Bril for example, Claude became fluent in the idealising vocabulary of Bolognese painters such as Domenichino. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London. The John R. Van Derlip Fund, and Gift of funds from Ruth and Bruce Dayton, SIT Investment Associates, Darwin and Geri Reedy, and Alfred and Ingrid Lenz Harrison, 38 1/4 x 51 1/4 in. 844, bought in, 460gn 'From the Swedish Minister's Collection'. These records are frequently revised and enhanced. Claude was the supreme master of the ideal landscape and the founder of the modern landscape tradition. Art Gallery of New South Wales Annual Report 1992 [for the year ended 30 June 1992], Sydney, 1992, frontispiece (colour illus. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London. Lady Binning, 1909-1952, England, by descent from George Salting to his niece Katherine Augusta Millicent Salting (only child of George Salting's brother William Severin Salting) who married George Baillie-Hamilton, Lord Binning (1856-1917). Claude Lorrain, byname of Claude Gellée, (born 1600, Chamagne, France—died Nov. 23, 1682, Rome [Italy]), French artist best known for, and one of the greatest masters of, ideal landscape painting, an art form that seeks to present a view of nature more beautiful and harmonious than nature itself. Pastoral Landscape: The Roman Campagna ca. Agnew's, London, A Dealer's record: Agnew's 1967-81, London, 1981, 108 (illus.). 146, Author Unknown, Catalogue of Mr Goerge Salting's collection of pictures, [1910], 8. cat.no.207. After training as a pastry chef, he moved in 1628 to Rome where he studied painting. His compositions from that time express an awareness of light and its effects gained from his direct experience with nature. Pastoral landscape, Exhibition of works by old masters, Royal Academy of Arts, London, Winter 1882–Winter 1882, Catalogue of the collection of pictures and drawings of the late Mr. George Salting, Agnew's, London, London, Jan 1910–Jan 1910, Paintings and drawings from Agew's, London, David Jones' Art Gallery, Sydney, Sydney, 28 Mar 1973–19 Apr 1973, 'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, David Jones' Art Gallery, Sydney, Sydney, 10 Jan 1978–21 Jan 1978, Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, Agnew's, London, London, 09 Nov 1982–10 Dec 1982, The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 Apr 1992–14 Jun 1992, Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994, The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 Apr 2003–20 Jul 2003. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission fig.2, David Jones' Art Gallery, Sydney, 'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, Sydney, 1978. cat.no.92, David Jones' Art Gallery, Sydney, Paintings and drawings from Agnew's, London, 1973, (illus.). The John R. Van Derlip Fund, and Gift of funds from Ruth and Bruce Dayton, SIT Investment Associates, Darwin and Geri Reedy, and Alfred and Ingrid Lenz Harrisonexpand_more 98.33. Minneapolis Institute of Art Minneapolis, United States. John Chapman Walker, circa 1882-1907, Whitby/England, by 1882, lent to 'Exhibition of Works by Old Masters' Royal Academy 1882, Agnew's, London, 1907-1908, London/England, Purchased by Agnew's from John Chapman Walker 1907. cat.no.8. George Baillie-Hamilton, 12th Earl of Haddington, 1952-29 Nov 1968, Scotland, by descent from Lady Binning to her son George Baillie-Hamilton, 12th Earl of Haddington, Mellerstain. Claude Gellée, called Claude Lorrain, was born near Nancy about 1604. Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Catalogue of the collection of pictures and drawings of the late Mr. George Salting, Paintings and drawings from Agew's, London, 'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, The James Fairfax collection of old masters, The James Fairfax collection of old master paintings, drawings and prints. Algernon Graves, A century of loan exhibitions, 1813-1912, 5 vols, London, 1913-1915, vol.1, 1913: 179. 2, (illus.). Agnew's, London, 29 Nov 1968-1973, London/England, Purchased by Agnew's at Christie's London, 29 November 1968, lot no. Agnew's, London, Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, London, 1982, frontispiece (colour illus. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. Claude’s influence was felt for hundreds of years by countless artists, including Claude Monet. cat.no.
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