“And I know, that I can’t defeat you/But you don’t worry now, I ain’t going to preach to you,” he sings over the sentimental skip ‘n’ shake of “Hip (Eponymous) Poor Boy”. Find helpful customer reviews and review ratings for Blunderbuss at Amazon.com. Since pioneering the rock duo scene in 1999 with The White Stripes’ self-titled debut, Jack White has been a key member of 12 studio and live recordings in multiple groups and roles, most notably as guitarist/frontman in the Stripes, sharing guitar/vocal duties with Brendan Benson in The Raconteurs, and as the drummer of The Dead Weather. Jack White's debut solo album goes for all the blues influences that he's been putting into his works since he started with The White Stripes and cranks it up to eleven! How Could Guitars with Names Like These Not Be Amazing? For the past three years, Third Man Records – the physical shoppe, venue, and headquarters in Nashville, TN – has hosted a variety of events, all cloaked in that White-endorsed mystery that makes it so alluring. Review: Jack White, Blunderbuss. Not surprisingly, each of these bands is felt and heard in Blunderbuss (which, for the curious, is a “muzzle-loading firearm” and a term with Dutch origins that roughly translates to “thunder pipe.”). I don’t think I can surpass the fervor of some of the other reviews so maybe I can sum up more completely. While most of the album can be connected to Jack’s family tree of work, it does have a few tricks up its sleeves. Its preceding single, “Love Interruption”, arguably a far more mature exercise in songwriting, didn’t receive the overwhelming reception “Saltines” did. Not too shabby of a handle, but there’s just something slightly irritating about it, like there’s a secret that was lost, or just never there altogether. 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When it comes to guitar playing, White is best known for the heavy, raucous anthems like “Seven Nation Army” and “Icky Thump” that he banged out early in his career. 3. When he harmonizes “Da da da da” throughout, his vocals just float. Regardless, he deserves respect for passionately creating and performing copious amounts of tunes covering a wide spectrum of styles. So, technically, he’s already succeeded. I published this CD review of Jack White’s then new album Blunderbuss. He's now the multimedia manager maintaining the website and social media accounts, coordinating Rig Rundown shoots (also hosting and/or filming them) and product demos, and occasionally writing an artist feature, all while still shooting/editing video for NAMM-show coverage. He spends the first half of the album dwelling on womankind's perfidy, casting himself as the suffering plaything of a series of vicious femmes fatales. Instead, he’s become a figurehead, something bigger than a musician (read: Nashville Music City Ambassador), and his music now has taken on its own mythos, something even deeper than the mercurial days of Jack and Meg. This solo album's new colour scheme is a telling blue: the colour of bruises and possibility. ... Full Review » fredjblack. */, Copyright ©2020. Now, could you imagine if he had actually become a preacher? It gets uglier from then on in. Blunderbuss is White at his most strange, contradictory and unfathomable, and therefore at his best. This debut solo album from the former White Stripe, Raconteur and Dead Weatherman is yet another reliably great outing, full of intriguing plot developments, yet in faithful keeping with White's previous output. Truth is, there isn’t a fan of his that won’t be waiting outside their local record stores for this release. "She's got freedom in the 21st century," White sulks, his meaning not entirely clear. Jack White is polarizing: People love him or love to hate him. It’s beautiful and it really works. By: Bob Gersztyn. It’s a straight-up blues record– the Rhodes piano that bubble wraps opening track “Missing Pieces” sells that within 15 seconds– but isn’t that what White’s always accomplished? As former upholsterer Jack White might tell it, there's no constancy to things any more. Despite the aforementioned religious connotations, White is hardly a preacher; instead, he’s just an intriguing character. The problem White struggles with on Blunderbuss, however, is that unlike Third Man Records, he isn’t building up a brand here – he’s transitioning one. Other than that, he spends time with his pitbull and enjoys non-guitar-related hobbies. ClashMusic: Read an album review of The White Stripes/Raconteurs/Dead Weather man Jack White's solo album 'Blunderbuss' featuring 'Love Interruption' and 'Sixteen Saltines'. Those tracks and the caressing “On and On and On”—carried by Fats Kaplin’s weeping steel guitar and the swirling piano played by White through a Leslie 3300 speaker—help Blunderbuss bloom and blossom. “I was thinking at 14 that possibly I might have had the calling to be a priest,” he explained. —Chris Kies, Must hear tracks: “Trash Tongue Talker” and “Freedom at 21". The most weirdly memorable part of the New York Times’ recent profile of Jack White occurs near the end, when White describes a dream he supposedly had the night before that acts as an almost too-perfect metaphor for his complicated engagement with women. Do you shift ahead, look behind, or do a little bit of both? "On and On and On" is an eastern-tinged meditation whose repertoire-expanding spaciness feels genuinely novel for White, an artist more at home with starkness.

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