In theater, the naturalism movement developed in the late nineteenth and early twentieth century. Naturalism, in literature and the visual arts, late 19th- and early 20th-century movement that was inspired by adaptation of the principles and methods of natural science, especially the Darwinian view of nature, to literature and art. As founder of the first acting "System," co-founder of the Moscow Art Theater (1897 - ), and an eminent pra… Émile Zola then applied the term to literature.Zola’s seminal essay “The Experimental Novel,” published in 1880, presents a detailed examination of the novel as a preeminent naturalistic literary art form. literary genre that started as a movement in late nineteenth century in literature Naturalism in theater was an attempt to create a perfect illusion of reality through detailed sets, an unpoetic literary style that reflects the way ordinary people speak, and a style of acting that tries to recreate reality (often by seeking complete identification with the role, as advocated by Stanislavski). Naturalism was a relatively short-lived philosophical approach to crafting novels. Definitions: The term naturalism describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings. Few writers of the period experienced real success in the style, but those that did became titans of the art form. The History of Naturalism. American literature - American literature - The naturalists: Other American writers toward the close of the 19th century moved toward naturalism, a more advanced stage of realism. Jules-Antoine Castagnary, a French art critic, first used the term naturalism to describe a style of lifelike painting that became popular in the early 1860s. The definition states that, ‘Naturalism in literature was a literary movement, that began in the late nineteenth century (1865-1900) in film, art, literature and theater that portrays common values of an ordinary individual.’Naturalism was a literary movement that suggested the involvement of environment, heredity and social conditions in shaping the human character. One wonders at the profound literature that might have been produced had Stephen Crane not died before his thirtieth birthday.

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