Valjean waits for a moment, then takes it upon himself to fill the silence. Valjean tries, taking Cosette's seat. She leads him to her bed and lays him down and refuses to leave until he is secured tightly under her blankets with a promise to not move and allow her to manage by herself for at least a day, Papa, she's almost an adult, and he feels a pang of painful fondness at the idea of her going off to live with a boy named Pontmercy. Valjean forces himself to keep from tensing up. "Your-" he begins, and stops, and begins again.

However, that precludes the use of the phrase “mercy cannot rob justice” from defending a system which inculcates and encourages pharisaism, a form of religious devotion markedly devoid of mercy. "Was he moved a great distance before he came to be here?" He and Cosette meet and confess their love; Éponine, also in love with Marius, is heartbroken. Being raped later on that evening doesn’t restore her to the state of being somebody who has kept he honor code. He doesn't seem to recognize his lack of hostility towards Valjean. You have no freedom in the moment – and acting is the illusion of being free in the moment.[82]. I can’t see any reason, that is in alignment with Heavenly Father’s plan, for the Honor Code people to seek out HC-breaking students pro-actively, rather than waiting for them to come in voluntarily. Makayla….as viewers of Valjeans poverty we are able to see the rational behind his choice. Summary: His eyes are barely fast enough to catch the shadow of a figure, balanced precariously on a parapet. [2][8][10] It grossed over $441 million worldwide. "Could I speak to you in private for a moment?". But I ended up using only the original live take. [31][41], A highlights soundtrack album was released via Universal Republic 21 December 2012. "The Wedding" is a very brief song, also known as the "Wedding Chorale", and is sung by the guests on Cosette and Marius's wedding. "[108], Some specific performances were reviewed very positively. "The ABC Café – Red and Black", on most recordings referred to as simply "Red and Black", introduces the group of young student revolutionaries, who have formed an organization called the Friends of the ABC. "You and your irrational, foolish martyrdom- what difference does it make to you if I die- I will not live in your debt-". There is no anger in it. It is something Valjean could get used to. That night, Valjean prays, as always. "I would turn myself in willingly, Javert-", "It is not that!"

When she returns, it's with a plate of her favorite foods- he snorts and sits up, groaning at the stiffness of his muscles.

Valjean isn't surprised. “You chose to sign the honor code” is ignorant, rude, and insensitive to people who are actually trying and yet make mistakes. He barks a laugh, then another, the harsh sounds tumbling from his throat, squeezed from his aching , painful lungs. (C major). Valjean cannot comprehend what he has said that warrants such a fierce look. Colm Wilkinson and Frances Ruffelle, two of the original cast members involved in the West End and Broadway productions of the English version (as Jean Valjean and Éponine, respectively), make appearances.
Valjean rolls over and props himself up to look at the prone form of the person he had, hopefully, saved. So I’ll refrain from comment on the role of faith. "[106], Callum Marsh of Slant Magazine gave the film 1 star, and wrote: "Flaws—and there are a great many that would have never made the cut were this a perfectible studio recording—are conveniently swept under the rug of candid expression ... the worst quality of Les Misérables's live singing is simply that it puts too much pressure on a handful of performers who frankly cannot sing.... Fisheye lenses and poorly framed close-ups abound in Les Misérables, nearly every frame a revelation of one man's bad taste ... One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly. There's no time to think. "I only came to check on our guest, Papa," Cosette says, gathering her skirts and offering the chair beside Javert's bed to him, "but oh, I find it's almost time to call upon the Pontmercys again, I must go-".
"We had a small garden to ourselves, Cosette and I.". He's still breathing, at least. It is clear that Éponine is reluctant to encourage the brewing romance between Marius and Cosette, but because of her love for Marius, she cooperates. The name is a pun, as in French "ABC" when pronounced one letter at a time is "abaissé", which is also the word for "lower" (therefore, "Friends of the Lower Class or the Poor"). [25] The shortlist of actresses for the role of Éponine included Scarlett Johansson, Lea Michele, Miley Cyrus, Tamsin Egerton, Taylor Swift, and Evan Rachel Wood. Which makes me wonder why BYU even has the type of Honor Code office and system that it has. "Castle on a Cloud" is a solo for the part of young Cosette. He stated that the cast would sing to piano tracks (via earpiece) and that the orchestra would be added in post-production. 1999 Spanish Cathedral Version - This song never appeared and was never mentioned. Javert swallows. I find more and more that our societies collective toddler attitude of “you’re not the boss of me” is not only detrimental, but far more judgemental than the “authority” figures that you refer to. I was candid and told him exactly what transpired. My soul cried out “that is how repentance should be, not the inquisitional tyranny that so often possesses the power-tripping nazis that run the lower echelons of church leadership.”. I know this is “deeper than the rape issue” but this post (along with all the others I’ve seen) provides no answers and no suggestions for improving the system.

Papa is so close-lipped about his work, and though we live frugally, I have never seen him properly go to work, despite all the alms we dispense-", "Of course."


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