each with not only its own uniquely colored label but with a corresponding color vinyl. Isis released their first EP Red Sea' on tri-colored vinyl. The title's "infinity" refers to this phrase. The first known hit single to have a recorded locked groove is "Muskrat Love" by Captain & Tennille. The opening track of Zacherle's 1962 LP Scary Tales consisted of three parallel grooves of the same song, each containing different lyrics (an assortment of humorous, macabre retellings of Mother Goose rhymes). Some plays result in a penalty or turnover, which requires inserting a special disc for that situation, which is unmarked and therefore a random outcome is selected. Materials distributed on 10-inch discs by the National Library Service for the Blind and Physically Handicapped in the 1960s, for instance, commonly reached 90 minutes per disc at 16​2⁄3 RPM and 180 minutes per disc at 8​1⁄3 RPM.[5]. Some records are cut with completely independent bands on the same side. Many such 7-inch records had a center which could be easily snapped out, yielding a record with a larger hole to be used in jukeboxes or certain record-stacking players; this approach was common in the United Kingdom from the 1950s until the early 1980s, with standard, solid centres becoming gradually more common. On the original vinyl release of Fly by Night by Rush, the chimes heard at the end of "By-Tor & the Snow Dog" continue into the locked groove. The Arcade Fire album The Suburbs ends side 3 with a continuous loop of the repeated piano chord heard throughout "We Used to Wait. This is known as the CLV (constant linear velocity) format, as opposed to the usual CAV (constant angular velocity) format. [citation needed]. The Man's 2008 album Censored Colors contains a locked groove at the end of the first disc repeating the words "turn me over." In 2015, Icelandic singer songwriter Björk released Vulnicura Live[40] as double LP picture discs available exclusively through the London record shop Rough Trade. Version)" on the b-side.) In the 1920s, several companies made records of various shades of brown, including Perfect Records and Grey Gull Records. One side of the single had one song that played from inside out and, on the other side, there were two songs that were pressed as concentric grooves. Both machines recorded at a fixed pitch, but the Grey Audograph could only record at one linear speed allowing 15 minutes per side of a 7-inch disc. In 2017, Fonoflo Records released a liquid filled record for Tennessee Jet's Reata featuring double-concentric liquids, being the first of its kind. Notable examples of this are the releases from RRRecords of the 7-inch RRR-100 (with 100 individual bands) and the 12-inch RRR-500 (with 500 bands) and RRR-1000 (with 1000 bands.). 7-inch children's records were sold before World War II but nearly all were made of fragile shellac, not an ideal material for use by children. Before the development of the single-groove stereo system circa 1957, at least three companies: Cook Records, Livingston Audio Products, and Atlantic Records, released a number of "binaural" recordings. Curiously, uncut test pressings of shaped discs in their original 12-inch form - with the clear vinyl surrounds still intact - are much more sought-after by collectors than the "regular" shapes themselves. Discounts will be added to your cart automatically. Vinyl records are a unique collectable form of music, they are fun and offer a great listening experience. A promotional EP by Rush, Rush 'n Roulette (mentioned in the book Rare Rock: A Collector's Guide by Tony Rees) apparently had six parallel grooves of different Rush songs. A small number of 78 RPM microgroove vinyl recordings have been issued by smaller and underground performers, mainly as novelty items, from the 1970s to the present. LP records rarely exceeded 45 minutes per disc (both sides), with a limit in the early years of 52 minutes, due to mastering issues. Something went wrong. Most of these early picture discs were simply a very thin clear plastic laminated onto a sheet of printed cardboard before being stamped in a record press. In other areas, flexi discs were usually square and often included in a magazine (see Unusual materials and uses below). One groove ran at 45 RPM, while the other ran at 33 RPM. They were supposed to provide higher quality sound than 33 RPM by virtue of their faster rotation speed combined while also providing significantly longer playing time than standard groove 78 RPM records. It was released in 1969 by Elektra/Metronome of Germany and entitled "Psychedelic Underground - Off 2, Hallucinations". Other bands have released records with 2 colors, divided down the middle. The 1980 A&M Records LP of Split Enz's album True Colours was remarkable not only for its multiple cover releases (in different color patterns), but for the laser-etching process used on the vinyl. The Foo Fighters' debut single "This Is a Call" was available on 12-inch glow-in-the-dark vinyl, and Luke Vibert also released a glow-in-the-dark 11-inch EP in 2000. [13] The spindle and any records stacked on it rotated with the turntable, so that each waiting disc was already up to speed before it dropped. NON's Pagan Muzak (Gray Beat, 1978) is a one-sided 7-inch with multiple locked grooves and two center holes, meaning each locked groove can be played at two different trajectories as well as any number of speeds. Indie exclusive, limited edition, petrol blue vinyl. This has created a culture of hardcore record collecting based on having the same release multiple times, each copy with a different and more rare color.[35]. In this case, the bands appear as separate tracks on the record and are not intertwined as with parallel grooves (see below). Victor made one as early as 1901. [46] All three of these were produced by Tristan Duke for his studio Infinity Light Science. In the 1920s, several companies made records of various shades of brown, including Perfect Records and Grey Gull Records. The World Record Controller was an attachment for ordinary record players that slowed the turntable down when playing the outside of the record and allowed it to gradually speed up as the needle was carried inward by the groove. album featured spattered-color vinyl, with a grey/white marbled base with splashes of color on the top of that. In Europe, early 10-inch and 12-inch shellac records were produced in the first three decades of the twentieth century. When these spun on the record player, they resembled a spinning saw. By the 1960s–1970s, some records began to exceed the 52-minute limitation, with single albums going to as long as 90 minutes in some cases. Highway Hi-Fi was a system of proprietary records and players designed for use in automobiles, utilizing a slower play speed and high stylus pressure.

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